Golden Void explores the dichotomy of destruction and devotion. On the galloping opener 'Art of Invading,' Mitchell describes the destructive acts of the 'invader,' over raw, fuzzy guitars and Pinkerton's steady 6/8 groove. On closer 'Atlantis' Mitchell sings about rising seas cleansing the earth of people and culture while displaying some of the most impressive, and chillingly calm, vocal harmonies on the record. Conversely, 'Jetsun Dolma' examines devotion through the use of Tibetan Buddhism's 21 Taras, enhanced by Saufly-Mitchell's otherworldly keyboard. Throughout, the album is driven and lifted by the stellar guitar work of Isaiah Mitchell.