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Ali Farka Touré’s 1984 self-titled album, commonly referred to as the ‘Red Album’.
Sometimes bundled up with 1988’s similarly dubbed ‘Green Album’ on previous reissues, it captures the Malian desert blues maestro just before he began to incorporate electrics into his sound and find a more international audience. Hypnotic and sparse, it’s a valuable sonic document of an incredibly influential figure.
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